0:00
this young man right here I haven't seen
0:02
since he was a little toddler he
0:04
probably yeah I don't even think he
0:07
me yeah man it's since with toddler yeah
0:14
mom um ran a child care center yes that
0:17
keomi my daughter used to help out at
0:21
one time stage but also used to help her
0:23
mom his mom out right yoyo's used to go
0:27
there yoyo that's how me and Yoyo also
0:31
her kid used to go there but his name is
0:34
Kobe doer welcome him to the show wow
0:37
great first and last day what combo and
0:41
LEL and I ran track together right in
0:46
school um as well as in college so when
0:49
Master P was talking about Coach Compton
0:51
yeah training all of us he also trained
0:54
Kobe's dad who was an outstanding
0:57
athlete fast like burn bur rubber fast
1:01
LEL Dozer but he was also a football
1:03
player so he had went um over he had
1:06
went to play college football at one
1:07
point came back and then got into the
1:10
police force right Y and uh still doing
1:13
that kind of work in Northern California
1:15
LEL is a person who used to sit with me
1:17
on the bus and when we would go to the
1:18
track meets and I used to practice raps
1:21
and ryel was the only one who used to
1:23
encourage me man just keep rapping just
1:25
keep rapping man cuz that's the kind of
1:27
Duty is and we make fun about it now but
1:30
he Kobe has been a musician for quite
1:32
some time and he's your dad sent me a
1:34
lot of the music and I was like yo this
1:36
dude is dope man and he was told me
1:38
reminded me you were in New York so I
1:40
invited Kobe up here today to hang out
1:42
with us we'll sit down and talk at some
1:44
point but I just wanted you to catch the
1:46
vibe and see you man you're a beautiful
1:49
bro man look at this guy man you look
1:52
like your mama and your dadd at the same
1:54
time I asked to look at that I said wow
1:57
this is a beautiful young man yeah and
1:59
so how long you been playing what do you
2:00
play here this is the uh yeah I got you
2:02
so this is a tener saxophone right here
2:04
um it's a old cannonball model um right
2:07
here this is the uh Selmer I mean my bad
2:10
not Selmer this is like one of the
2:11
Vintage sax wood shop mouthpieces right
2:13
here I've been playing for about um
2:16
eight nine years now been playing since
2:18
like sixth grade so you know we still
2:19
doing it right here you still doing it
2:20
playing it since sixth grade is that
2:21
your ultimate goal just to be a
2:23
traveling music make music play with
2:25
some of the biggest bands yeah that's
2:26
pretty much the plan and just be a
2:28
headlining Act of my own you know I feel
2:30
like of course there's a couple
2:31
saxophone players out here doing the
2:32
thing but I feel like I want to do do
2:35
more with it I feel like there's a lot
2:36
of saxophone players who mainly just
2:37
strict stay strictly to the saxophone
2:40
and that's just their weapon I feel like
2:42
for me why not do it all you know I feel
2:44
like I love like singing some of the
2:45
songs so I love like like to play music
2:48
play an instrument like the saxophone
2:49
you got to be able to sing and I feel
2:51
like you know I have the abilities to
2:52
like just sing rap do whatever I want so
2:54
you know I really don't want to put
2:56
myself in a box for real going to school
2:59
for is too like let's you going to
3:01
school I'm going to the new school I'm
3:02
on my last year of my undergrad over
3:04
there so I'm in the um contemporary
3:06
music program over there who some of
3:08
your contemporary um Idols right now
3:10
contemporary Idols right now I mentioned
3:12
buros to you you said that was yeah no
3:15
buros that's definitely one of like the
3:17
best saxophone players like they're
3:18
doing like the whole mix with the Jazz
3:20
and house scene I actually play one of
3:22
their songs jazz is for ordinary people
3:24
at so yeah I did that last year with a
3:26
DJ named Anastasia we did like two sets
3:29
back there last year Two Sold Out sets
3:31
it was crazy but like that whole song
3:32
was tight but bero I'll probably say
3:35
Vena he's a London based saxophone
3:38
player he did a lot of stuff with like
3:39
burnner boy and all them so like if you
3:41
listen to some of his songs he's the
3:42
saxophone player on there you know we
3:44
got uh kamasi Washington terce Martin
3:47
them guys they all been up here man yeah
3:49
n those guys I love those guys I grew up
3:51
um listening to them so I'm originally
3:53
from La so you know that whole family
3:55
like even kami's family uh his dad was
3:57
actually my first teacher when I was a
4:01
there he the who actually put me the
4:03
saxophone made me like consistently
4:05
practice so I have a lot of gratitude to
4:07
that family I love that man get this man
4:09
around so are you going to play and sing
4:11
for us at the same time play and sing at
4:14
the same time can you do that is that
4:15
possible has anyone in life ever done
4:18
that with a saxophone with a Tanner cuz
4:20
I used to play Alto I could do it with
4:21
my alto yeah I used play Alto as well
4:24
yeah I couldn't do it how many lips you
4:27
got like what do you mean
4:33
sing you got N N I would I would
4:36
probably like if I was going to do
4:37
something like that I need like somebody
4:38
on the keys like I play the melody s
4:41
star sing but you know I just been like
4:43
working on that bag a little bit more
4:45
like last year I even join my school's
4:46
um whole gospel Ensemble just to even
4:48
work on my whole vocal chops right there
4:50
so I just been trying to get in that bag
4:52
and just get comfortable with being
4:53
uncomfortable doing stuff that you know
4:55
I would never thought I would be able to
4:57
do just like never limit myself as a
4:59
musician and as a creative it's well we
5:01
have another 22y old in the room too
5:04
yeah Lonnie light come here Lonnie light
5:05
wow maybe we could get a session going
5:08
right you ever have somebody freestyle
5:09
over your a freestyle sax yeah no like I
5:13
could literally like just play like a
5:14
whole little beat I've done that stuff
5:15
before yeah for sure they both got okay
5:17
so let's do this let's do this let's
5:19
have a session real quick it's off the
5:20
cuff by the way you can you can stand up
5:23
and I'm going introduce you to Robert
5:24
Glasper too I don't know if you're a fan
5:25
of Robert oh yeah I love Robert glas
5:27
okay that's my good friend Heather
5:28
hosted the blue no jazz festival last
5:31
year you know she knows Robert too black
5:33
radio black radio black radio we got
5:35
Lonnie light so let's do this we got my
5:37
my my my nephew Kobe Kobe doer what is
5:40
your Instagram uh Kobe doer k o b i e d
5:43
o z i e r so d o z i e r k o b i e d o z
5:48
i e r let's let let him play for a
5:51
little bit Lonnie light and then when it
5:53
feel good let's hear them rock out a
5:55
little bit and then when it feel good
5:57
see if you could join in and y'all Vamp
5:58
off or something you you good with that
6:00
I'm good with that all
7:16
yoooo yo I'm not seeking validation yo
7:20
I'm trying vibration yo I'm trying to
7:23
raise up the nation yo I said I love all
7:26
creation with my man's Kobe he on the
7:28
sacks yo I'm spitting the live it's no
7:31
tax yo you know I'm spitting all facts
7:33
he say every time I get on the track
7:53
not uh uh live instrumentation Do You
7:58
Hear What I am saying
8:00
yo on the mic I'm not playing every time
8:14
smooth Sway in the Morning man jazzing
8:17
it up with the lung the
8:19
phenomenal Kobe doer ladies and
8:21
gentlemen Kobe doer give it up for kobby
8:31
that was a bro that was a right there
8:40
man all right this is what we going to
8:42
do Kobe um first of all he had no idea
8:46
this was going to happen here I just
8:47
said you know he hit me we decided this
8:49
morning to come up here today and I
8:52
asked him hey bring your instrument when
8:54
he brought it and he was ready I love
8:56
what you're doing let's keep building
8:58
yes sir okay Kobe Dozer Kobe doer Kobe
9:02
Dozer Lon light that was Lon light that
9:06
was tight how how you just hopped in the
9:07
pocket too when the beat started playing
9:09
man once I heard the beat I was like oh
9:10
I got it I I felt it man I was trying to
9:12
build off of what you was doing man so
9:14
I'm glad I felt that chemistry I the
9:15
energy I love that give it up for the DJ
9:18
DB a little tricky finding that Tempo
9:21
when he was playing I was I didn't want
9:22
to go too fast for Lonnie either so
9:25
great you dope man you dope man hang out
9:27
hang out for a little bit Kobe okay all
9:28
right we got y wire coming up next
